Following on from the last post on the gradual privatisation of England's land, and the resulting dispossession, here is the opening to Hardy's great novel 'The Mayor of Casterbridge' in which the protagonist Michael Henchard, and his wife and child, are walking the country roads in search of seasonal work. The turnip-hoer they encounter relates how the village Weydon-Priors is on the decline, its houses being pulled down due to economic forces beyond their control. It is typical Hardy; a melancholic autumnal setting, estranged people, here an estranged couple, small dimished human activity on a backdrop of grand natural forces at work since the dawn of time.
One evening of late summer, before the nineteenth century had reached one-third
of its span, a young man and woman, the latter carrying a child, were
approaching the large village of Weydon-Priors, in Upper Wessex, on foot. They
were plainly but not ill clad, though the thick hoar of dust which had
accumulated on their shoes and garments from an obviously long journey lent a
disadvantageous shabbiness to their appearance just now.
The man was of fine figure, swarthy, and stern in aspect; and he showed in
profile a facial angle so slightly inclined as to be almost perpendicular. He
wore a short jacket of brown corduroy, newer than the remainder of his suit,
which was a fustian waistcoat with white horn buttons, breeches of the same,
tanned leggings, and a straw hat overlaid with black glazed canvas. At his back
he carried by a looped strap a rush basket, from which protruded at one end the
crutch of a hay-knife, a wimble for hay-bonds being also visible in the
aperture. His measured, springless walk was the walk of the skilled countryman
as distinct from the desultory shamble of the general labourer; while in the
turn and plant of each foot there was, further, a dogged and cynical
indifference personal to himself, showing its presence even in the regularly
interchanging fustian folds, now in the left leg, now in the right, as he paced
along.
What was really peculiar, however, in this couple’s progress, and would
have attracted the attention of any casual observer otherwise disposed to
overlook them, was the perfect silence they preserved. They walked side by side
in such a way as to suggest afar off the low, easy, confidential chat of people
full of reciprocity; but on closer view it could be discerned that the man was
reading, or pretending to read, a ballad sheet which he kept before his eyes
with some difficulty by the hand that was passed through the basket strap.
Whether this apparent cause were the real cause, or whether it were an assumed
one to escape an intercourse that would have been irksome to him, nobody but
himself could have said precisely; but his taciturnity was unbroken, and the
woman enjoyed no society whatever from his presence. Virtually she walked the
highway alone, save for the child she bore. Sometimes the man’s bent
elbow almost touched her shoulder, for she kept as close to his side as was
possible without actual contact, but she seemed to have no idea of taking his
arm, nor he of offering it; and far from exhibiting surprise at his ignoring
silence she appeared to receive it as a natural thing. If any word at all were
uttered by the little group, it was an occasional whisper of the woman to the
child—a tiny girl in short clothes and blue boots of knitted
yarn—and the murmured babble of the child in reply.
The chief—almost the only—attraction of the young woman’s
face was its mobility. When she looked down sideways to the girl she became
pretty, and even handsome, particularly that in the action her features caught
slantwise the rays of the strongly coloured sun, which made transparencies of
her eyelids and nostrils and set fire on her lips. When she plodded on in the
shade of the hedge, silently thinking, she had the hard, half-apathetic
expression of one who deems anything possible at the hands of Time and Chance
except, perhaps, fair play. The first phase was the work of Nature, the second
probably of civilization.
That the man and woman were husband and wife, and the parents of the girl in
arms there could be little doubt. No other than such relationship would have
accounted for the atmosphere of stale familiarity which the trio carried along
with them like a nimbus as they moved down the road.
The wife mostly kept her eyes fixed ahead, though with little
interest—the scene for that matter being one that might have been matched
at almost any spot in any county in England at this time of the year; a road
neither straight nor crooked, neither level nor hilly, bordered by hedges,
trees, and other vegetation, which had entered the blackened-green stage of
colour that the doomed leaves pass through on their way to dingy, and yellow,
and red. The grassy margin of the bank, and the nearest hedgerow boughs, were
powdered by the dust that had been stirred over them by hasty vehicles, the
same dust as it lay on the road deadening their footfalls like a carpet; and
this, with the aforesaid total absence of conversation, allowed every
extraneous sound to be heard.
For a long time there was none, beyond the voice of a weak bird singing a trite
old evening song that might doubtless have been heard on the hill at the same
hour, and with the self-same trills, quavers, and breves, at any sunset of that
season for centuries untold. But as they approached the village sundry distant
shouts and rattles reached their ears from some elevated spot in that
direction, as yet screened from view by foliage. When the outlying houses of
Weydon-Priors could just be described, the family group was met by a
turnip-hoer with his hoe on his shoulder, and his dinner-bag suspended from it.
The reader promptly glanced up.
“Any trade doing here?” he asked phlegmatically, designating the
village in his van by a wave of the broadsheet. And thinking the labourer did
not understand him, he added, “Anything in the hay-trussing line?”
The turnip-hoer had already begun shaking his head. “Why, save the man,
what wisdom’s in him that ’a should come to Weydon for a job of
that sort this time o’ year?”
“Then is there any house to let—a little small new cottage just a
builded, or such like?” asked the other.
The pessimist still maintained a negative. “Pulling down is more the
nater of Weydon. There were five houses cleared away last year, and three this;
and the volk nowhere to go—no, not so much as a thatched hurdle;
that’s the way o’ Weydon-Priors.”
The hay-trusser, which he obviously was, nodded with some superciliousness.
Looking towards the village, he continued, “There is something going on
here, however, is there not?”
“Ay. ’Tis Fair Day. Though what you hear now is little more than
the clatter and scurry of getting away the money o’ children and fools,
for the real business is done earlier than this. I’ve been working within
sound o’t all day, but I didn’t go up—not I. ’Twas no
business of mine.”
Thomas Hardy's writing is fabulously evocative - a masterpiece of art.
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