Monday 24 April 2023

BBC: Five minutes with Peter Ackroyd


Author Peter Ackroyd talks to Matthew Stadlen about the diverse nature of his work, the importance of time, and his fascination with London. Amazing what you can fit into five minutes. Do listen! This is one of the great writers of our age, with his novels, histories, and biographies, including an exceptional one on Dickens, and one on his favourite city, London: https://www.amazon.co.uk/London-Biography-Peter-Ackroyd/dp/0099422581/ref=sr_1_3?keywords=peter+ackroyd&qid=1682347789&sprefix=peter+ack%2Caps%2C116&sr=8-3

Ackroyd has a phenomenal mind; he manages to garner encyclopedic knowledge of his subjects, and rework it into a brilliantly imaginative vision. 



Sunday 2 April 2023

William Blake and his Business of Creation | Cultural Insights with Susanne Sklar

 Valuable insights into the English poet, painter, draughtsman, and printmaker William Blake (1757-1827) by scholar Susanne Sklar, who will be giving a series of Blake seminars from 1st June to 6th July at the Temenos Academy. Venue: the Rudolf Steiner House, London NW1.
Here is a short interview and video to give some idea of this towering figure of the Imaginative Vision, more relevant to our times than ever. Blake is a healthy figure to have around, to take issue powerfully with some of the more questionable premises of our times:

 http://www.theculturalaficionado.com/cultural-insights-with-susanne-sklar-2/

She says: "The humanities are being eradicated. Blake scholars are becoming an endangered species – though we continue to write, to teach, and reach outside academia where Blake’s vision is warmly welcomed. He’s inspired Jim Morrison, Bob Dylan, Patti Smith, Gregory Bateson (the cybernetics pioneer), R.Crumb, Philip Pullman, and environmental activists (among others). Scholarship, of course, is necessary, for entering into Blake’s greatest works requires the kind of rigorous critical and imaginative thinking an archaeologist must have when uncovering hidden cities. William Blake cannot be compartmentalised. His vision goes beyond political correctness; he’s uninterested in subverting dominant paradigms. Where there is no hierarchy subversion isn’t necessary. His work can change the way we think about the deep structures of relationship and reality."