We are looking at some Victorian literature in class at the moment,
Jane Eyre to begin with. And it has taken me back to an early
and enduring love of mine, Charles Dickens. In fact, I
can’t remember a time when there was no Dickens, his prolific
imagination so fills a young impressionable mind, it’s the sort of
big furniture of the English Imagination. So big it jumps out of
the page at you. An old faithful friend and companion to
many a quiet evening.
First memories; as a small boy, leafing through my father’s
lovely-smelling old childhood copy of Nicholas Nickleby. How
long and dense it seemed, full of strange pictures of another age,
but more strange than mere time can make past ages, thanks to the
magical illustrations by the wonderful Hablot Browne (aka “Phiz”). They opened doors on to a fairy tale, dream and nightmare land of brave
adventurous boys and girls, ogres and ogresses in Victorian attire,
top hats, frockcoats, canes, long flowing dresses and curls. Here is
Phiz’s “The Internal Economy of Dotheboys Hall”:
The bent, out-of-shape figures of children are so typically Dickensian, bodies and minds crushed by ignorant bullies and institutions. And their small heads on long bodies, not really children’s proportions, as if forced into the suffering of adult life too early. One of my favourite vilains is Mr Squeers, the headmaster of this dreadful school. Poor Nicholas finds himself teaching there and witnesses this first memorable class in “practical” spelling. Only Dickens can denounce social injustice with such humour:
This is the first class in English spelling and philosophy,
Nickleby,' said Squeers, beckoning Nicholas to stand beside him.
'We'll get up a Latin one, and hand that over to you. Now, then,
where's the first boy?'
'Please, sir, he's cleaning the
back-parlour window,' said the temporary head of the philosophical
class.
'So he is, to be sure,' rejoined
Squeers. 'We go upon the practical mode of teaching, Nickleby; the
regular education system. C-l-e-a-n, clean, verb active, to make
bright, to scour. W-i-n, win, d-e-r, der, winder, a casement. When
the boy knows this out of book, he goes and does it. It's just the
same principle as the use of the globes. Where's the second boy?'
'Please, sir, he's weeding the
garden,' replied a small voice.
'To be sure,' said Squeers, by no
means disconcerted. 'So he is. B-o-t, bot, t-i-n, tin, bottin, n-e-y,
ney, bottinney, noun substantive, a knowledge of plants. When he has
learned that bottinney means a knowledge of plants, he goes and knows
'em. That's our system, Nickleby: what do you think of it?'
'It's very useful one, at any
rate,' answered Nicholas.
'I believe you,' rejoined
Squeers, not remarking the emphasis of his usher. 'Third boy, what's
horse?'
'A beast, sir,' replied the boy.
'So it is,' said Squeers. 'Ain't
it, Nickleby?'
'I believe there is no doubt of
that, sir,' answered Nicholas.
'Of course there isn't,' said
Squeers. 'A horse is a quadruped, and quadruped's Latin for beast, as
everybody that's gone through the grammar knows, or else where's the
use of having grammars at all?'
'Where, indeed!' said Nicholas
abstractedly.
'As you're perfect in that,'
resumed Squeers, turning to the boy, 'go and look after MY horse, and
rub him down well, or I'll rub you down. The rest of the class go and
draw water up, till somebody tells you to leave off, for it's
washing-day tomorrow, and they want the coppers filled.'
So saying, he dismissed the first
class to their experiments in practical philosophy, and eyed Nicholas
with a look, half cunning and half doubtful, as if he were not
altogether certain what he might think of him by this time.
'That's the way we do it,
Nickleby,' he said, after a pause.
from chapter 8 of The
Life and Adventures of Nicholas Nickleby (1839/1839) by
Charles Dickens
I have such fond memories of spending my solitary evenings reading Charles Dickens when I decided to take up a university education at the age of 21. How can I ever forget the delightful hours spent reading Great Expectations on many a cold night, sitting wrapped in a blanket on my shabby sofa next to a leaking window in my student lodgings? I felt somewhat like the Little Match Girl looking into another world that was filled with beauty and wonderment.
ReplyDeleteRecently I came across this quaint interview of Anna Smaill, a New Zealand poet and novelist, who talks about the way she experienced the magic of Charles Dickens as soon as she began reading a freshly purchased copy of Bleak House on a commute in Tokyo. She briefly evokes several of his novels and mentions the traumatic period in Dickens’s childhood, reflecting about how this experience affected the way in which he subsequently delineated many of his child characters:
https://www.rnz.co.nz/audio/player?audio_id=2018658036