Like many of Dickens' novels, Little Dorrit was published in serial form. It consisted of 19 installments, illustrated by 'Phiz'. Dickens loved this form of publishing because it gave him a sense of intensity, and a closeness to his readership; in fact, he was writing only a few chapters ahead of the people reading it! The novel features the young Amy Dorrit who was born and brought up in the Marshalsea Debtors' Prison, a place close to the author's heart because his own father was imprisoned there for non-payment of debts
The Circumlocution Office
We might associate Dickens only with descriptions and situations of industrialisation and deep-set poverty. Yet Dickens is much more than this. He looks to causes, and the social structures, institutions and ideas which work in the background and sustain and propagate injustice. Returning to Dickens, it seems to me so obvious he is bright, fresh and incredibly relevant to today’s world. His world is ripe for our picking. Put it beside ours, and things light up.
The Circumlocution Office
We might associate Dickens only with descriptions and situations of industrialisation and deep-set poverty. Yet Dickens is much more than this. He looks to causes, and the social structures, institutions and ideas which work in the background and sustain and propagate injustice. Returning to Dickens, it seems to me so obvious he is bright, fresh and incredibly relevant to today’s world. His world is ripe for our picking. Put it beside ours, and things light up.
Here is one area then: institutions. We can think of how he
satirises the complex apparatus of the judiciary system in his great
work Bleak House, but what about the “Office”...in particular government offices? I have
been thinking about this for some time, having worked in offices
myself in student holidays. And we all contact them on the phone (if
we can get through). They are strange places indeed. Obviously, you
can’t make too many generalisations, offices appear necessary, for
one thing, for the functioning of society. And some people like
working in them, or dealing with them. But many don’t... They can
become places of tyranny, of boredom, disconnection, and alienation for
the worker, a cog in a vast system; and for the outsider, an
impregnable fortress, or machine, working at an infuriatingly slow
pace, full of rules and regulations you can do nothing against.
One of the “best” offices in Dickens is to be found in Little
Dorrit (1855-1857). It is called The Circumlocution Office. Now what
is this? It is a government department, run purely for the benefit of
its obstructive officials (sounds familiar?). It is of no social benefit. In fact, it is toxic. The character Arthur
Clennam visits the office trying to find out about a man called
William Dorrit, and he is passed from official to official. It is a
satire of that well-known phenomenon, bureaucracy.
And
as is only right, its name is long-winded, self-important and
pompous, but if you take the trouble to look at its meaning, all is
there: circumlocution
means speaking in a roudabout way, using an unnecessary number of
words to express an idea (which is perhaps not even worth
expressing). It is, in fact, the process of evasion: “It
being one of the principles of the Circumlocution Office never, on
any account whatever, to give a straightforward answer.” (Little
Dorrit,
Book 1, chapter 10).
Typically
Dickensian, this use of a long-winded word. He loves to make fun and
prick the bubble of self-importance. There
is much to say about Dickens and language itself. More of that later.
Cover of Serial, Vol.4, March 1856
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